My latest story, “The Good Husband,” is just about wrapped up. I had a good workshop session last Sunday with Alexa Duncan and Theodora Goss, and the end is finally in sight. This short story collection will be in the mail before the month in done. Really, this time.
I have long been referring to this as my ghoul story, though now it’s something a little different. I don’t know if there’s a ghoul in it or not. But I know there’s cold air, and heartache, and death. There are things moving under the earth. And that’s what makes my blood move.
This is the poem that first inspired the story. It’s my favorite poem from my favorite poet. Even reading it now, I get goosebumps.
Orpheus. Eurydice. Hermes. by Rainer Maria Rilke (Translated by Stephen Mitchell)
That was the deep uncanny mine of souls. Like veins of silver ore, they silently moved through its massive darkness. Blood welled up among the roots, on its way to the world of men, and in the dark it looked as hard as stone. Nothing else was red. There were cliffs there, and forests made of mist. There were bridges spanning the void, and that great gray blind lake which hung above its distant bottom like the sky on a rainy day above a landscape. And through the gentle, unresisting meadows one pale path unrolled like a strip of cotton. Down this path they were coming. In front, the slender man in the blue cloak — mute, impatient, looking straight ahead. In large, greedy, unchewed bites his walk devoured the path; his hands hung at his sides, tight and heavy, out of the failing folds, no longer conscious of the delicate lyre which had grown into his left arm, like a slip of roses grafted onto an olive tree. His senses felt as though they were split in two: his sight would race ahead of him like a dog, stop, come back, then rushing off again would stand, impatient, at the path’s next turn, — but his hearing, like an odor, stayed behind. Sometimes it seemed to him as though it reached back to the footsteps of those other two who were to follow him, up the long path home. But then, once more, it was just his own steps’ echo, or the wind inside his cloak, that made the sound. He said to himself, they had to be behind him; said it aloud and heard it fade away. They had to be behind him, but their steps were ominously soft. If only he could turn around, just once (but looking back would ruin this entire work, so near completion), then he could not fail to see them, those other two, who followed him so softly: The god of speed and distant messages, a traveler’s hood above his shining eyes, his slender staff held out in front of him, and little wings fluttering at his ankles; and on his left arm, barely touching it: she. A woman so loved that from one lyre there came more lament than from all lamenting women; that a whole world of lament arose, in which all nature reappeared: forest and valley, road and village, field and stream and animal; and that around this lament-world, even as around the other earth, a sun revolved and a silent star-filled heaven, a lament- heaven, with its own, disfigured stars —: So greatly was she loved. But now she walked beside the graceful god, her steps constricted by the trailing graveclothes, uncertain, gentle, and without impatience. She was deep within herself, like a woman heavy with child, and did not see the man in front or the path ascending steeply into life. Deep within herself. Being dead filled her beyond fulfillment. Like a fruit suffused with its own mystery and sweetness, she was filled with her vast death, which was so new, she could not understand that it had happened. She had come into a new virginity and was untouchable; her sex had closed like a young flower at nightfall, and her hands had grown so unused to marriage that the god’s infinitely gentle touch of guidance hurt her, like an undesired kiss. She was no longer that woman with blue eyes who once had echoed through the poet’s songs, no longer the wide couch’s scent and island, and that man’s property no longer. She was already loosened like long hair, poured out like fallen rain, shared like a limitless supply. She was already root. And when, abruptly, the god put out his hand to stop her, saying, with sorrow in his voice: He has turned around —, she could not understand, and softly answered Who? Far away, dark before the shining exit-gates, someone or other stood, whose features were unrecognizable. He stood and saw how, on the strip of road among the meadows, with a mournful look, the god of messages silently turned to follow the small figure already walking back along the path, her steps constricted by the trailing graveclothes, uncertain, gentle, and without impatience.
2 thoughts on ““The Good Husband,” Rilke, and the end”
I thought LB was bleak ( jee-zus) I am going to find a bridge somewhere and hide under it but in your world I will be eaten by magpies.
Excellent and so in touch with humanity – cannot wait to see a novel though I hope its short I don’t think I could live through a long one!
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